Tag Archives: Music

Helen’s

The twang of strings
echo all around the yard.
Cousins are playing over there
in the sheltered garage.

The chairs have been set out.
Wooden, iron, and folding.
Mismatched but jovial
like the family they are holding.

We run along the porch
barefoot with dirty grins.
The summer nights are long
and the planks below us have become
the deck of our pirate ship.

There’s a tower out in the woods
that the older kids climb.
They yell at us from above
smiling and hiding their smokes
like it’s a crime.

Food on the table’s gone cold
but nobody cares.
Desserts all ready gone
even the dogs got their share.

Harmonies meld on the wind.
Dancing has started on the gravel floor.
Laughter and love shared by all,
a piece of the family core.

TO THE GROUND – Death Cab for Cutie

Following the ninth studio album, Thank You for Today, Death Cab for Cutie released The Blue EP in September of 2019. The Blue EP is a set of tracks that didn’t quite meet the theme of the previous album, but still belonged in the Death Cab collection. The EP seems to follow the lines of destruction and the pursuit of tragedy in it’s wake. And yet while the album’s sound is another progression away from the delicate but pained nature of Death Cab’s former works, the song “To the Ground” brings it into focus.

It begins with distorted notes propagating between octaves and eerie background tones. This is cut into with heavy drums, creating a pulse for the song that is almost animal like in energy. Two guitars create a harmonic centerpiece that is eventually staved off to a single guitar melody.

Gibbard’s vocals come in while we are met with the story of a car crashing off the side of what is presumably a steep cliff. The car plummets into a valley where it burns up and with time, nature reclaims it. Vines and trees split though the center, animals begin to call it home, and it disintegrates back to the ground from which it came.

The chorus often repeated “../To the ground/..” and sections of the verses are elevated in a sense that the words are held onto while the music behind it continues to move forward in a strongly calculated rhythm. I quite enjoy how the words hold you there momentarily before dropping off that ledge and back into the rolling energy of the rest of the song.

After the second chorus everything begins to swiftly dive into chaos that ultimately builds into a solid note that is bridged into the vocal’s smooth plateaus of the chorus. The frenzy is reminiscent of The Beatles “A Day in the Life;” all pieces of the song completely swept up into this massive sound that makes your own thoughts hard to focus on.

Dropping back to the chorus, the music is peeled back until we are left with the same sound that kicked it off.

What I really enjoy about this song other than a good story – which I always appreciate – is the pure movement from the notes. Every piece has been fitted together and functioning so seamlessly, yet the sound is still vibrant and somewhat wild.

There is also a noticeable absence of the human element in the lyrics. Everything is addressed from the material standpoint of the car and the natural state that it erodes to. There is a central focus on the circle of life without the mention of the person or persons that would have been within the vehicle during the crash. This is a fairly unique way to approach a song about a crash this violent – most songwriters would simply play to the emotional loss for such an event.

I greatly appreciate that Death Cab found a way to get this song out; it is definitely one that should enjoy a limelight of its own.

Please take a listen to the song here and check out the full lyrics below.

Enjoy!

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“To the Ground” – Death Cab for Cutie

Lost, lost control
Slid and began to roll
And on the wings of an ocean gale
Crashed right through the rail
Down to the valley below
To the valley below

Down in the charred remains
Stripped the chassis clean
And the bramble grew through the frame
‘Til it swallowed everything
Swallowed everything

Return to the ground
To the ground
Return to the ground
To the ground

Trees growing tall
Weeds covering all
And the animals made their homes
Underneath its fusted dome
All things come around

All comes around
Comes around
Returns to the ground
To the ground

Ground
Around
Comes around
To the ground
To the ground
To the ground
To the ground

MEET ME AT THE CREEK – Billy Strings

Originally from the small town of Muir, Michigan, Billy Strings (William Apostol) has been touring around the country this year and still managed to make time to release his sophomore album Home. His guitar picking skills are on fire and the toe-tapping music he creates is just something I can’t get enough of.

Though there seems to be no limit to his talent, one particular song continues to stand out to me off his debut album Turmoil and Tinfoil. “Meet Me at the Creek” is a fast-paced traditional bluegrass tune featuring the standard of guitar (Billy Strings), bass (Brad Tucker, Royal Masat touring), mandolin (Drew Matulich, Jarrod Walker touring), and banjo (Billy Failing).

The first seconds of the song spin and swell into a short pause, before the off-beats take us into a frenzy with the banjo setting up the melody. The music moves swiftly to the first verse where the unique quality of Billy’s voice sets in – a throaty yet smooth tone with a little bit of twang.

Lyrically, the song focuses on returning home, penniless (or nickel-less?) and full of misfortunes from a life away. Burdened with all the bad choices, the narrator comes to the creek to watch the muddy waters churn, taking his troubles with it. And while it may only be a temporary ease, at least some worry can be left behind. I, too, enjoy sitting by a creek (a raging river can also do the trick) – the sound of the moving water is soothing and sometimes loud enough to inhibit your own thinking.

After moving through the first couple of verses and chorus, the banjo again moves forward, answered by the guitar. The short verse following has a fun pause on the song title before moving into another chorus before the song heavily syncopates and runs into a whisper of itself as everyone gears up for solos.

The mandolin starts the jam session ending in a whirlwind that leads to the guitar. After some decent play, the guitar builds up with the mandolin into a siren like sound and then wildly drops off to that banjo that has just been “slowly” moving in the background. The song gradually builds around the banjo, moving a few times more back to guitar and mandolin, as we are pulled out of the jam and back to the melody. This improv’d section is likely new every time it is performed live – a bonus with bluegrass and jam bands.

Billy Strings is not a musician you want to miss. “Meet Me at the Creek” is just one of the many fantastic songs that he has put together. If you are not a bluegrass fan, I still encourage you to give it a try. His music has bleed in from other genres – most notably rock influence – and it comes with so much energy. Passionate musicians always shine through.

Go grab a beer and tap your foot to this one! Please take a listen to a live performance of this song here and check out the full lyrics below.

Enjoy!
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“Meet Me at the Creek” by Billy Strings

Well I’m standing all alone by the river of my home
Thinking about the days I’ve left behind
All the years I roamed not a nickel can I show
And the river helps to ease my worried mind

Well the river run all night, lord, the river runs all day
I can’t run no more cause I’m here to stay
I had an eye for trouble and I’ve lived a life of pain
I sit back and let that water heal my brain

I’m letting go of all my troubles
I think I’ll be right here to stay
Well the water keeps a churning while my poor heart is burning
Muddy water take my pain away

Well one thing I want to know, lord, is where we people go
When everything comes crashing to the ground
Meet me at the creek grab a beer and tap your feet
See that muddy water flowing down

I’m letting go of all my troubles
I think I’ll be right here to stay
Well the water keeps a churning while my poor heart is burning
Muddy water take my pain away

Well I’m standing all alone by the river of my home
Thinking about the days I’ve left behind
All the years I roamed not a nickel can I show
And the river helps to ease my worried mind

I’m letting go of all my troubles
I think I’ll be right here to stay
Well the water keeps a churning while my poor heart is burning
Muddy water take my pain away
Muddy water take my pain away

THOUGHTS AND PRAYERS – The Raconteurs

Eleven years. Eleven years of waiting. I know you’re a busy guy, Jack White, but I (and thousands of others) have waited so long. And then like the sun bursting through an endless grey sky – you and Benson and Lawrence and Keeler have delivered. And just like the first two The Raconteurs albums – it’s fucking awesome.

Help Us Stranger is the junior album from The Raconteurs and hot off the June press this year. And while I genuinely love every song on it (I’m obsessed with this band, truly), I decided on doing a little write up on “Thoughts and Prayers” – a title that carries some irony as a modern throwaway phrase as Jack White put.

Starting off with a very quiet and short piano bit that is then answered by a guitar, “Thoughts and Prayers” is one of the slower tracks on the album but carries more weight than most. Guitars continue to echo, creating a layering effect that is both eerie and calming. A deep synthesized bass joins in shortly, putting a solid base against the moving strings.

The lyrics then branch into some thoughts on the grim reaper without time, a sunless sun, a sleepless man who doesn’t own a clock, and the absence of friends. The first three verses finish with a useless prayer of hoping for another way to feel OK – but no action to resolve it.

A brief interlude of the melody with a new introduction of a screeching, down spiral of a mandolin and violin (via the Richie Sisters) follows as the next verses play out. Again we reach into someone’s thoughts on how people live, how to grow money, and writing letters. The latter referencing Sullivan Ballou who used to pen eloquent letters to his wife, one being only two weeks before the battle of Bull Run in 1861 – in which he was killed. In 1862, his wife would have received the letter and been in mourning (a good reason to be blue).

The lyrics then seem to get a little more desperate, being our protagonist thinks himself a cast away, led astray, and very much alone. Is there even any worth in making it to the end if you are the only one left?

Then the song dips into a very frantic and wild build with the mandolin and violin taking front and center. The trills and runs are building force pushing the song to its end.

The last verse is loud and present, reminiscing in a sense of what was and the gray that now is. Again, a prayer is said for a better way – asking God (notably a her) for assurance that there are reasons why it is this way. The song ends quietly on those last words, dropping to nothing.

So many meanings can be pulled from this one. For me there are two. The first is an apocalyptic scenario where the protagonist is the only surviving person on Earth. Everything (and everybody) has been destroyed by some unknown force and he is trying to find a positive outlook on this grim world that he must get through alone.

The second is the tinging of a person’s outlook on life, perhaps after a catastrophic and senseless event. They are counting the sad things in life, wallowing in the gray. They see the future as bleak and even death doesn’t seem to matter. It seems impossible to get back to even a sliver of happiness. Thoughts and prayers are just as useless, and they don’t change anything.

No matter how this song speaks to you, I hope you enjoy it just as much as I do. Please take a listen of this charged tune via whatever your music provider may be. Don’t forget to check out the full lyrics below.
Enjoy!
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“Thoughts and Prayers” by The Raconteurs

How can the grim reaper creep
If he really doesn’t have the time?
And how long would you sleep
If the sun decided not to shine?

There’s a man who lives up the block
He doesn’t even own a clock
Sometimes he stays awake for days
He’s doing it his own way

I used to give my friends a call
Now there’s no one left at all
I think my father used to say
There’s got to be a different way
To make myself feel OK
Or maybe that’s just how he used to pray

And who cares how people live
If living’s all they got?
And who knows how money grows?
Drop a nickel in the pot

I wrote a letter down to you
Like I’m Sullivan Ballou
It’s a recipe for blue
Like it’s 1862

Maybe I’m just a cast away
Or a poor boy led astray
There’s no one left here to betray
The only child of the earth
Nobody left here to give birth
It’s hard to tell what that’s worth

I used to look up at the sky
Up at the beautiful blue sky
But now the earth has turned to gray
There’s got to be a better way
To talk to God and hear her say
There are reasons why it is this way

SUPERPOSITION – Young the Giant

After being on a 90s binge for over two months, I heard this song on the radio and finally snapped back into the 2010s – kind of. While the song “Superposition” by Young the Giant was released back in August 2018, somehow I had missed this one until March of 2019. It’s the first song on the indie rock quartet’s fourth album, Mirror Master.

So what brought me into the depths of this one? Well – as it is a running theme with me – I loved the feeling it gave me. It started with the syncopation of the snare and then washed over once the ukulele charango (edit. 20.02.27, did it fool you too?)and the deep drags of a synthesized bass joined in. Such polar opposites but it works so well. To describe the feeling, it reminds me of early mornings driving and how sun light starts to flicker across things as you move. But the light is almost horizontal in motion, casting a shadow on the things in front of it but giving ridiculous illumination to everything else. Your driving on a day that you were so excited for yet your whole body is in complete relaxation anticipating it – even if the journey started at five am. Do you what know what I’m talking about?

Well, even if you don’t, I still think you’ll like this song. Let’s dig a little deeper. Sameer starts us off in between Cannata’s picks with “I don’t believe in fate / no physic vision / but when things fall into place / superposition.” So what is superposition? Google Dictionary describes it as “the action of placing one thing on or above another, especially so that they coincide.” In other words, it’s a natural event caused by direct forces which add to one another.

The next line “In any universe / you are my dark star,” introduces another fun scientific term. A dark star is defined by Google as “a starlike object which emits little or no visible light. Its existence is inferred from other evidence, such as the eclipsing of other stars.” Interesting – so kind of like something that can’t be seen until it is placed over something else. Like it has to be superposed? Very nice, Young the Giant. Very nice.

Beyond the precise defining of words, there is more to the verses. I feel like the lyrics chosen in this first verse are describing falling in love, but not in a fate sort of way. The universe itself has brought two people together and when they are together, they are a betterment of themselves. Destiny is cast aside; its just how the world works.

Sameer continues a desire for the other to want him back like he wants them, asking to rely on chemistry to create that initial attraction. And if anything keeps them apart, they should  push the obstacles out of the way.

Then the song releases – or at least that’s how it sounds and feels. The la-di-da’s chase the charango and we are brought into the another verse, where again the argument of precision and science is made over naive beliefs.

The only significant change in the song’s even pace is when everything drops out aside from the bass drum and a few keyboard clicks with Sameer’s voice saying “No matter what we do / I’ll be there with YOU.” There is a shrill emphasis on the “you” as the bass comes in with a little groove that lasts only a moment as it then settles back into the easy wave.

The lyrics on this one just have so much space and science play to them – so many meanings could be pulled but this is my take from it. Overall, a great song all together that always leaves me feeling happy and relaxed.

Please take a listen of this fantastic tune here and don’t forget to check out the full lyrics below. Perhaps while you watch their music video, you can also ponder whether superposition principles were used to produce it : )

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“Superpostion” by Young the Giant

I don’t believe in fate
No psychic vision
But when things fall into place,
superposition
In any universe
you are my dark star

I want you to want me
Why don’t we rely on chemistry?
Why don’t we collide the spaces that divide us?
I want you to want me

Superstition aims with imprecision
But when things can’t be explained,
superposition, oh
In any universe
you are my dark star

I want you to want me
Why don’t we rely on chemistry?
Why don’t we collide the spaces that divide us?
I want you to want me
I want you to want me

No matter what we do
I’ll be there with you!

I want you to want me
Why don’t we rely on chemistry?
Why don’t we collide the spaces that divide us?
I want you to want me

Fast Talk – Houses

Dexter Tortoriello (aka Golden Dawn) has put out a very easy but sobering single with Megan Messina called “Fast Talk” off of Houses latest EP, Drugstore Heaven. This song was an instant like for me, before even hearing any of the lyrics. The bouncy clicks on the keys and the delayed chords give off this cloudy, relaxed, and nostalgic feel that is too much to pass on.

So it was no surprise when the first lyrics (Me and my best friends / cruising down west end street) come in, that they too relate this emotion.

But let’s move a little further into the lyrics. The next thing we find out is cruising was part of Dexter and his friends way of hiding from the cops and, in the end, it ended up with all of his friends dead. For “…we’re born to die young / But we’re just trying to live in peace.

A heavy snare hit brings us to the chorus where those chords step down a few octaves and the music feels a bit more driven. And that emphasis is needed for the chorus’s stinging words: So maybe heaven is a ghetto with no bad blocks / Shangri-La dealers at the bus stops / And maybe god is just a cop with we can fast talk / So if you’re guilty and you know it, put your hands up / ‘Cause karma’s just a different word for bad luck / And what if death is just another pair of handcuffs / Then we’d better run.

And then things got heavy. So many things can be construed from those words. I can in no way say I can relate to this situation in a non-metaphorical way, but what I take away from it is a couple of sad truths.

The first is a reality where being arrested is ultimately a death sentence. Going to jail is more terrifying than trying to run for it. That slim chance of being able to escape is worth more of one’s life than working through the sentence.

The second is that aging out of this situation gives one a heaven, a Shangri-La, and a god. But each of those things are still tainted. So in return of living through all of the craziness in youth, the life given is once of mediocrity. An uneven fulfillment that could easily leave a person with depression and melancholy.

Dexter has given this explanation for the song: “…meant to be a memorial for a group of friends I had back in my late teens. Thematically it’s almost like a ballet where you keep driving around the same blocks, and people start disappearing from the car because they’re going to jail or dying.”

The next verse and bridge on gives more to the theme, but again no positive notes. Instead we’re left with thoughts of drugged out nights and a hope for a better life. One that doesn’t involve dying young like everyone says.

Please take a listen of this fantastic tune here and don’t forget to check out the full lyrics below.

Enjoy!
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“Fast Talk” by Houses

Me and my best friends
cruising down West End street
Hiding from cops
and driving circles around the block
all week.
All of my friends died
out on West End street.
They say we’re born to die young
but we’re just trying to live in peace.

So maybe heaven is a ghetto with no bad blocks
Shangri-La dealers at the bus stops
And maybe god is just a cop with we can fast talk
So if you’re guilty and you know it, put your hands up
‘Cause karma’s just a different word for bad luck
And what if death is just another pair of handcuffs
Then we’d better run (x2)

All of our friends went crazy on LSD
Sailing their cars through the big bright city streets
And everyone who knows our name
Says that we ain’t ever gonna change
They say we’re born to die young
But we’re trying to find a better way
They say we’re born to die young
But we’re trying to find a better way

So maybe heaven is a ghetto with no bad blocks
Shangri-La dealers at the bus stops
And maybe god is just a cop with we can fast talk
So if you’re guilty and you know it, put your hands up
‘Cause karma’s just a different word for bad luck
And what if death is just another pair of handcuffs
Then we’d better run (x2)

Phone call: Word up?
Hey, what’s up, man?
Just sitting around and I’m gonna be 32 years old tomorrow.
And I feel half completely alive
And half completely dead.

We hope and we pray day after day
They say we’re born to die young
But we’re trying to find a better way
We hope and we pray day after day
They say we’re born to die young
But we’re trying to find a better way

So maybe heaven is a ghetto with no bad blocks
Shangri-La dealers at the bus stops
And maybe god is just a cop with we can fast talk
So if you’re guilty and you know it, put your hands up
‘Cause karma’s just a different word for bad luck
And what if death is just another pair of handcuffs
Then we’d better run (x3)

WAIT BY THE RIVER (Lord Huron)

So, I know, I have already done a Lord Huron song. What gives? Well, Lord Huron sent me their new album Vide Noir after I ordered some tickets for their upcoming show in October (which I am ecstatic about). And, you see, I kind of fell in love with that album instantaneously. So, yeah, I’m going to talk about another Lord Huron song and today’s feature is “Wait by the River.”

I was obsessed with this track for a solid month. It all begins with the bass and that single snare. For a moment, the song transports me back to the 1950s as the keys are chased on a piano as if to open a curtain. And what comes to my mind immediately (and quite ironically once I saw the music video for this), were the old variety shows that would showcase different musical acts. The syncopation of the piano pickups and then Ben Schneider starts in.

Love – what else would this song focus on? Of course, this one is a broken love that our antagonist is hoping to mend. And he will wait forever for it; if that’s what it takes. The first verse builds nicely with Schneider’s voice, dropping us off at the end with a release of sound.

In the second, a stiff rhythm guitar is added as the antagonist begs for his love again, though he pushes more on the fact that he can’t wait forever. This verse is ended again with a crescendo, but instead of quick release, echoes are added in that extend the ending giving it a dreamlike quality. Which is fitting considering the Emerald Star theme for this album.

The next word I wait so patiently for to sing along with – “Baby!” The way Schneider says is just too much fun, followed soon by “I don’t honestly wish you were dead.” (That line had me dying with laughter the first time, especially after hearing that Baby.) It’s clear now that the antagonist has had a bad fight with his love and he is backpedaling trying to recall the things he said. But he is still waiting by that damn river.

The song begins to build again as everything grows towards the ending. Schneider starts in with those wonderful nature inspired lyrics that he is so amazing at, describing how a river can begin to look like it runs into the stars with the help of moonlight. The antagonist is at his end knowing that he cannot continue through life without his other. So much so, that he would rather give up his life than continue on. Thus, is the Vide Noir.

Then the track deflates with that ethereal echo we heard before, and the piano draws back the curtain.

Please take a listen of this fantastic tune here and don’t forget to check out the full lyrics below. I also highly recommend listening to the full Vide Noir album while you are at it.

Enjoy!
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“Wait by the River” by Lord Huron

I will wait by the river
In the light of the moon
At the edge of the city
I will wait for you

Though I can’t wait forever
Someday I’ll be dead and gone
And I won’t be forgiven
For what I’ve done

I will wait by the river
I will wait by the river
I will wait by the river
I will wait by the river

I will cry out to heaven
As it rains down on me
I will beg for forgiveness
Get down on my knees

If I can’t change the weather
Maybe I can change your mind
If we can’t be together
What’s the point of life

Baby, I didn’t mean the things I said
I don’t honestly wish you were dead
I’m a fool; I’m just a man
If I only could hold you again

And the stars fill the river
As it flows into the sky
And the mind leaves the body
And floats higher and higher

If we can’t be together
I will leave this world behind
If I can’t touch your body
Can I touch the sky?

I will wait by the river
I will wait by the river
I will wait by the river
I will wait by the river

IRON AND WINE – Communion Cups and Someone’s Coat

So, I know it has been a while – both for me and a music review. But, you know, life happens. And lately, life has been crazy. New, old, unstable, unrelenting, busy life. I’ve been more stressed in the past few months than I have for the entire year.

And so, with all that anxiety in worrying about the past and future, I decided to pick a song that, I believe, is all about focusing on now.  “Communion Cups and Someone’s Coat” from Around the Well, is one of my favorites from Iron and Wine. Sam Beam is the man behind the name and has one of the most calming voices I have ever heard. One that I, frankly, cannot get enough of.

The acoustics in this song are simple and beautiful, repeating this flowing melody with sharper upper tones and a ghostly echo. Like so many Iron and Wine songs, there is an earthiness to the sound and an easiness that is both relaxing and familiar. There are no drums, no bass, and nothing fancy – just Sam’s voice, the guitar, and a woman’s voice backing vocals to enhance the wonder.

Sam starts in with the first set of verses and answers:

Talk of yesterday and she will show her
brothers photographed in calloused clothes.
Say tomorrow and she’ll say come find me,
on a beach and there will be no moon.

But say
today
and she will
kiss your face
and maybe
forgive.

Looking at this, many meanings can come forward from the lyrics dependent on a person’s history and life experiences. For me, right now, it is about today. The woman Sam talks about goes off on a sad nostalgia (photographed, calloused clothes) when asked about the past and when it comes to the future, it is dark and unknown (no moon). However, when you ask about the present and what is happening now, she is delighted.

The second verse continues this:

Talk of yesterday like bargain shoestring,
she will kick the car and find her friends.
Say tomorrow and then she’ll describe some
old communion cups and someone’s coat.

But say
today
and she may
look your way
and lead you
home.

When the past is mentioned, the woman is angered and begins to look for her friends.  To me that is a reaction to find comfort now in the people that surround you. When the tomorrow comes about, she diverges and reminisces on details that are not important in life. As if to say, why focus on things to come and not enjoy right now? I love how when today is the topic, she pays attention to the speaker and leads them home. She is so delighted to be in the moment with another person that she will share her home.

This song is a reminder to me to stop worrying about what happened yesterday, quit analyzing the probabilities of my futures, and just enjoy the now. Be present in the moment and live life.

Please take a listen to the song here .  I encourage you to then keep exploring Iron and Wine and bathe in Sam’s heart-wrenching sound.

I CAN’T GO ON WITHOUT YOU – Kaleo

Kaleo is a young Icelandic band who released their first album, A/B, last year. This blues/rock album is filled with beautifully executed tunes, stressing the smooth weight of lead singer JJ Juliusson’s voice and the charismatic playing of lead guitarist Rubin Pollock. (Not to downplay Daniel (Bass) or David (Percussion), who are also both amazing musicians!) The soul that this band brings into their music is fantastic. I feel like they have poured their hearts into the album, charging each song emotionally and building a collection that is wonderful to listen through.

That is one of the many reasons it was so hard to pick just one song to write about. But I feel like “I Can’t Go On Without You” is a good representation of what Kaleo is and has to offer.

“I Can’t Go On Without You” starts quietly – a few strums on the guitar followed by an eerie whistle. Long, high-pitched tones begin to whale from the lead to accompany the sound, emphasizing a feeling of anticipation. Then JJ begins telling us a story – a man and woman who thought they were in love.

Within the first verse we learn that the woman has fell out of that love. Nobody wants that. And though he tries, he cannot go on living his life without her. JJ’s stress on the “can’t” is very powerful, cracking at the top as if he truly means it.

It’s here that we introduce another element to the building song – the guitar hitting low-echoed tones that almost remind me of the way that music sounds under water. The sound is deep, often putting chills down my spine. Coupled with JJ’s aching voice makes it that much more awesome.

As the song continues, the lyrics appear to reveal that the woman was involved in an affair, hinted by the shame he feels when he thinks of her. They break up, but he continues to think about her, so many “thoughts that cross [his] mind.” He is still in love with her, even though she has left him a “broken man.” His life has been left in pieces as he struggles to live without her.

The music grows with this emotion, gradually getting more chaotic and powerful, with a few quiet, reflective moments in between. Each time JJ comes back stronger and louder in the chorus, pushing the words across the sound. Strings join in on the pain and the lead guitar takes off a few times, grasping the desperate, wasted feeling of the song.

I had the amazing opportunity to see this band towards the end of last year. I was twenty feet from the stage and this was the first song they chose to play. I remember closing my eyes and just listening – and it was one of my favorite concert experiences to date. If these guys come by – don’t miss them. You will regret it.

Please take a listen and check out the official music video here. Don’t forget to check out the full lyrics below.

Enjoy!

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“I Can’t Go On Without You” by Kaleo

Well they thought they were made for each other
One thinking of one another
Never thinking just for one second
She would take a different attraction

We don’t want that
We don’t want that
We don’t want that
Oh no
[x2]

I can’t go on without you
I can’t go on without you
Can’t go on without you, yeah
I can’t go on without you

Oh so, what’s the point in breaking my sweet heart?
She wanted me to let down my guard
Well, you know what they say, it’s better that way
So, so you better hush and walk away

We don’t want that
We don’t want that
We don’t want that
Oh no
[x2]

I can’t go on without you
I can’t go on without you, oh lord
Can’t go on without you, ooh ooh
I can’t go on, won’t go on, living on, without you

Where was I supposed to wait for you sweetheart?
And hide away the shame
Yes I keep it all inside, all the thought that cross my mind
I do all the things I regret and we don’t want that

We don’t want that
We don’t want that
We don’t want that
Oh no
[x2]

I can’t, I can’t, I can’t go on without you
I can’t go on without you, oh lord
Go on without you, ooh ooh
I can’t go on without you babe
Yeah

Ahh, she loves me
She loves me not
She loves me
My love’s gon’ love me

Oh so what is left but a broken man?
Cause nothing hurts like a woman can

I can’t go on without you
I can’t go on without you, oh yeah
Can’t go on without you
I can’t go on without you, oh
Oh without you lord, without you
Without you babe
Oh lord
You

I TOOK A PILL IN IBIZA: Mike Posner (Seeb Remix)

While I’m sure this song has grown in popularity in clubs, bars, and on your local radio station, it has also managed to stay course and be popular with myself. There is just something to the thrummed synthetic sound that makes me not only move but listen.

Mike Posner put out the original I Took a Pill in Ibiza on his “At Night, Alone” album and the remix was released by the Norwegian duo Seeb. If you take a listen to the original you’ll find a slower, acoustic melody compared to the swifter, layered remix. While there is not nearly as much power in the original’s sound (I actually find it a little stiff on the musicality side), what will stick out is the true weight in the lyrics (which don’t really shine through on the remix).

I think when most people first listen to the remix, they here the first few lines, cap if for a party song and don’t bother to hear what else Posner is saying. In the chorus, he endlessly repeats the phrases “You don’t wanna” followed by an action in his life. He implies that all the success he has had has actually made him feel low and sad. He doesn’t know who to trust and feels alone. When he is performing, he is “stuck” doing the act. Imagine the one thing that kept your life going—your dreams—is now something you are stuck in? With all that downward emotion playing on his life every day, he is left with only “sad songs.”

This is even more emphasized in the verses. He does things for others “just to prove” himself. He can’t have a relationship because “the truth is he can’t open up.” He already “blew his shot” and in the last verse (which Seeb actually left out likely because it can’t be masked with the club-like scene) he returns home to a world that thinks a lot of him. But when he is asked by others how to get to such a high spot in fame, he feeds them the chorus.

When this song is broken down, you realize that Posner is pouring out his failures, fears, and disappointments within his own popularized life (kind of strange to dance to now?). While I really enjoy Seebs’ color and texture that they bring to the remix, it is Posner’s lyrics that really make it a good song. All the heavy realizations that he empties out in this one is a hard pill to swallow.

Please take a listen of the remix track here and the original track here. Don’t forget to check out the full lyrics below.

Enjoy!

_________________________________________________________________

“I Took a Pill in Ibiza” by Mike Posner (Seeb Remix omits last verse)

I took a pill in Ibiza
To show Avicii I was cool
And when I finally got sober, felt 10 years older
But fuck it, it was something to do
I’m living out in LA
I drive a sports car just to prove
I’m a real big baller ’cause I made a million dollars
And I spend it on girls and shoes

But you don’t wanna be high like me
Never really knowing why like me
You don’t ever wanna step off that roller coaster and be all alone
You don’t wanna ride the bus like this
Never knowing who to trust like this
You don’t wanna be stuck up on that stage singing
Stuck up on that stage singing
All I know are sad songs, sad songs
Darling, all I know are sad songs, sad songs

I’m just a singer who already blew his shot
I get along with old timers
‘Cause my name’s a reminder of a pop song people forgot
And I can’t keep a girl, no
‘Cause as soon as the sun comes up
I cut ’em all loose and work’s my excuse
But the truth is I can’t open up

But you don’t wanna be high like me
Never really knowing why like me
You don’t ever wanna step off that roller coaster and be all alone
You don’t wanna ride the bus like this
Never knowing who to trust like this
You don’t wanna be stuck up on that stage singing
Stuck up on that stage singing
All I know are sad songs, sad songs
Darling, all I know are sad songs, sad songs

I took a plane to my home town
I brought my pride and my guitar
All my friends are all gone but there’s manicured lawns
And the people still think I’m a star
I walked around downtown
I met some fans on Lafayette
They said tell us how to make it ’cause we’re getting real impatient
So I looked ’em in the eye and said

You don’t wanna be high like me
Never really knowing why like me
You don’t ever wanna step off that roller coaster and be all alone
You don’t wanna ride the bus like this
Never knowing who to trust like this
You don’t wanna be stuck up on that stage singing
Stuck up on that stage singing
All that I know are sad songs, sad songs
Darling, all that I know are sad songs, sad songs